This feast is an explicitly pagan celebration. When it is inter-rupted by a terrifying manifestation of Cod, its sacrilegious nature is laid bare.
Belshazzar
s Feast
In the 6th century B.C., Belshazzar, son of
Nebuchadnezzar, was king of Babylon. One day he invited his lords to a formal
banquet. As the wine flowed, he ordered that gold and silver drinking vessels
that his father had taken from the temple in Jerusalem be brought in for his
guests, wives, and concubines. As they were imbibing wine from these precious
vessels and praising the pagan gods, a disembodied hand appeared and wrote
words in a mysterious language on the wall of the banquet hall. The terrified
king sought someone who could decipher the mysterious writing. The queen
recalled the name of Daniel, a wise man who had lived in the kingdom since the
reign of Nebuchadnezzar. Daniel was offered great power and riches if he could
decipher the message on the wall. The prophet rejected the bribe but
nevertheless deciphered the disquieting message. He reminded the king that his
severe, arrogant father, Nebuchadnezzar, had been ignominiously deposed, and he
rebuked Belshazzar for sacrilegiously drinking from the vessels from the house
of God and worshipping pagan gods instead of God Almighty. Consequently, said
Daniel, God was using this written message to announce the end of the king's
reign, that he had been judged and found wanting, and that his kingdom would be
divided between the Medes and Persians. That same night Belshazzar was killed,
and Darius the Persian took over his kingdom.
Sources
Daniel 5:1-30
Daniel 5:1-30
Iconography
This subject is
treated only rarely in art, though it had a vogue in Italian and Flemish
painting of the 1 6th and 17th centuries. It offered artists the chance to
deploy the theatrical style of contemporary painting to create the uncanny
atmosphere of a historical miracle
Tintoretto,
Belshazzar's Feast, ca. 1541-42. Verona, Castelvecchio

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